poetry

MMF MMXXIV: CARSON LYNN’S QUEER RAGE

Carson Lynn, A bronze anvil falls to the earth., digital video, color, sound, 6’ 35”, 2023.

Debuting in the Slot Machinima program at MMF MMXXIV, A bronze anvil falls to the earth. marks a seminal moment in Carson Lynn’s oeuvre. This work masterfully synthesizes digital artistry, game-based performance, and socio-political discourse into a singular, compelling narrative. Crafted in 2023, with a duration just shy of seven minutes, it epitomizes the transformative potential of machinima as a platform for both artistic innovation and poignant political dialogue.

In A bronze anvil falls to the earth., Lynn employs gameplay as a performative act, leveraging the dark, violent, feral world of Bloodborne to weave a narrative rich in Greek mythology and fueled by a palpable queer rage. This machinima blends the grim aesthetics and challenging gameplay of a video game renowned for its gothic environments, eldritch horrors, and brutally unforgiving combat with themes of resistance, suffering, and defiance against oppressive forces. Bloodborne’s setting, Yharnam, a cursed city plagued by a mysterious blood-borne disease transforming its inhabitants into beasts, serves as the perfect backdrop for Lynn’s counter narrative and relentless slaughter. The game’s emphasis on solitary exploration and the constant threat of death mirror the solitary struggle against the “blood-drunk beasts”, a metaphor for the violence and hatred faced by queer and trans individuals in the current environment. That is, the intense battles serve as a metaphor for the LGBTQ+ community’s real-world struggles against oppression, emphasizing the significance of perseverance and the quest for acceptance…

(continues)

Matteo Bittanti

Works cited

Carson Lynn, A bronze anvil falls to the earth., digital video, color, sound, 6’ 35”, 2023.

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EVENT: CALUM RODGER (JANUARY 20 - February 9 2023, ONLINE)

ROCK, STAR, NORTH

Digital video (1920 x 1080), color, sound, 23’ 05”, 2016-2022, Scotland

Created by Calum Rodger

In 2016, inspired by Basho, William Wordsworth and Nan Shepherd, Glasgow-based poet Calum Rodger undertook a poetic odyssey inside San Andreas, Grand Theft Auto V’s hyperreal replica of California. In 2017, he chronicled his journey in a 20-minute performance poem titled Rock, Star, North, which premiered at the Scottish Storytelling Centre in Edinburgh in May of that year. In 2021, the poem achieved its final form: a machinipoem, composed entirely of footage from the game, alongside an all-new reading and updated text, which we are now presenting as part of VRAL S03.

Calum Rodger is a Glasgow-based poet working in print, performance and digital forms. He was Scottish National Slam Champion 2019 and holds a Doctorate in Scottish Literature from the University of Glasgow. In the last few years, he has worked extensively at the intersection of poetry and gaming.

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EVENT: IAIN DOUGLAS AND MARK COVERDALE (AUGUST 5 - AUGUST 18 2022, ONLINE)

Facing the wolf

machinima/digital video (1600 x 900), colour, sound, 19’ 26” (chapter I: 5’ 15”, chapter II: 5’ 21”, chapter III: 8’ 50”), 2022, United Kingdom.

Created by Iain Douglas and Mark Coverdale

Facing the wolf is a machinima trilogy produced over the course of 2021 by appropriating and repurposing Grand Theft Auto V. The artists decontextualized the characters and locations of the original video game to tell a story of redemption and reconciliation, so that an uneasy truce with the past may be reached. In broad terms, these three videos reflect on war, loss, grief, and class struggle, themes which never seem to be as far away as they ought to be. As war has now become a reality for millions of people in Europe, Facing the wolf can be seen as a cautionary tale. Or, perhaps, a premonition.

Iain Douglas is an artist working with machinima, game engines, film, and traditional materials like paint and plaster. Iain’s practice explores the themes of cultural and individual loss. For more information, please visit his website.

Mark Coverdale is a widely published performance poet, writing from the picket line, art gallery and the terraces. Mark’s poems for these machinima are drawn from his interests in domestic industrial decline and the troubled events of the New European East. He lives and works in London. For more information visit his website.

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